Previously Zbrush models were baked into normal maps which were then used to create fake curvature and details on low poly geometry, but now high polygon geometry can be converted to Nanite meshes and played back in the viewport at amazing high framerates previously not available to high poly counts. Nanite is an amazing high resolution geometry system which was designed as a geo version of virtual texturing which allows for large amounts of data to be streamed into the viewport only based on what the camera sees allowing for huge polycounts on assets.

He has worked on various projects over the past 18 years including most recently the photorealistic canyon environments for The Falcon and the Winter Soldier on Disney Plus, and the hollow earth environments for Godzilla vs Kong, as well as VFX work on other upcoming high profile feature films and episodic series.Ĭlass 1: UE Nanite Geometry and Lumen Realtime Global IlluminationĪn introduction to the UE Nanite Geometry and Lumen Realtime Global Illumination systems in Unreal Engine. Liam Whitehouse is an Australian based Senior VFX artist, who has been in the 3D industry since 2003. The course will cover a breadth of software including Autodesk Maya, Substance Painter, World Creator, Metahuman Creator and the water plugin system for Unreal Engine. It is the followup to Unreal Engine Bootcamp, Part 2 which was previously released It is especially tailored for VFX artists wanting to take their first steps in Unreal Engine and apply their knowledge to an advanced realtime game engine. Unreal Engine Bootcamp, Part 2 gives a broad and detailed introduction to using Unreal Engine to create cinematic photoreal scenes for cinematics. Title: FXPHD – UNR208 – Unreal Engine Bootcamp – Part 2 Duration 4h 29m Project Files Included MP4

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